The Adamantine Wisdom of Buddhafield Festival 2022
It looks like gold nail varnish and like my natural nails and the memory of gold nail varnish that a future me will see when they look down at my fingers.
It sounds like the rattle of sleigh bells in Kirsten Kratz's hand because no one could find a singing bowl, and it sounds like my own singing bowl just a few meters away in my own tent that I didn't think to offer.
It feels like the patch of too warm sunlight creeping up on me as time unfolds and angles change and I sat here to be in the shade and there's no where to move to right now because the tent is too full.
It sounds like my voice chanting Oṃ Bodhicittam Utpādayāmi and wanting to chant faster and trying to keep slow and other voices around me chanting the same or chanting Oṃ maṇi padme hūṃ and we're weaving in and out of each other and my shoulders are against your shoulders and your back and this is the closest I've been to this many people for over two years. We're practicing the mantra for the ritual the next day and when it is the next day I can only hear one other voice chanting Oṃ Bodhicittam Utpādayāmi, and I try to join in when I can remember the melody. Everyone else is chanting the Avalokiteśvara mantra, which is the bass line and lovely of course but I want the whole thing, and it looks like the hundreds of tea lights we offer at the end of the ritual, one after another kneeling and bowing and lighting the candles from one another and making space for each other and then slowly drifting into the night leaving the statue of the mother of all wisdom surrounded by light.
Photo by Khemashalini




